{"id":358,"date":"2019-04-04T20:00:14","date_gmt":"2019-04-04T20:00:14","guid":{"rendered":"http:\/\/www.fieldandpost.ca\/newsletter\/?p=358"},"modified":"2019-04-05T02:01:43","modified_gmt":"2019-04-05T02:01:43","slug":"catherine-de-paula-editing-the-path","status":"publish","type":"post","link":"http:\/\/www.fieldandpost.ca\/newsletter\/member-profiles\/catherine-de-paula-editing-the-path\/","title":{"rendered":"Catherine De Paula: Editing the Path"},"content":{"rendered":"\n<p><strong><em>What\u2019s your name and your usual job title(s)?<\/em><\/strong><\/p>\n\n\n\n<p>Catherine De Paula, Editor&nbsp;<\/p>\n\n\n\n<p><strong><em>How did you get started working in factual TV?<\/em><\/strong><\/p>\n\n\n\n<p>I started out editing commercials. &nbsp;I was the in-house Avid editor at a production and post production company in London, England which primarily did factual and art programs. &nbsp;Our company got a new client who specialized in charity commercials with about 20 clients plus. &nbsp;The company had a favourite freelance editor but he wasn\u2019t available as much as they needed so they started using me.&nbsp; The first full commercial I cut for them for Save the Children became the most successful Direct Response commercial in the U.K. for 2011, increasing donations by about 800%. &nbsp;Soon after I ended up working virtually solely for them until my husband decided to move to Canada. &nbsp;Once here I worked on more commercial work until I got my break in factual television with Force Four Productions editing on Cupcake Girls.<\/p>\n\n\n\n<p><strong><em>What do you consider to be your career highlight(s)?<\/em><\/strong><\/p>\n\n\n\n<p>I consider it a highlight when I can work on something that really inspires me and when people give me the chance to have increased responsibility to show what I can do and how I can shine.&nbsp; Currently I am particularly enjoying researching, writing, directing and editing 10 short episodes about the Apollo Missions, celebrating the 50<sup>th<\/sup>Anniversary of the Apollo moon landings for the Knowledge Network. &nbsp;I found that being given full access to NASA\u2019s ftp site \u2013 full of many hundreds of archive videos of all their missions \u2013 absolutely made my day. &nbsp;I felt like a kid in a candy shop.&nbsp;&nbsp;I just couldn\u2019t wait to see what I had to work with, and to try and figure how to compress 19 hours of footage into a gripping or tearful 3-minute episode. &nbsp;<\/p>\n\n\n\n<p><strong><em>What\u2019s the strangest thing you\u2019ve had to do working in factual TV?<\/em><\/strong><\/p>\n\n\n\n<p>I had to edit a factual cooking series on the night shift. &nbsp;I was brought in as an additional editor on a series that was behind schedule. &nbsp;There weren\u2019t enough suites available during the day so getting an editor on the night shift must have seemed like a good solution. &nbsp;That was one of my most challenging jobs, problem solving and being creative at 3am. &nbsp;Coffee and your story editor become your best friends on the graveyard shift.&nbsp;<\/p>\n\n\n\n<p><strong><em>What\u2019s something interesting\/unusual about you that most people don\u2019t know?<\/em><\/strong><\/p>\n\n\n\n<p>I used to draw and paint and most people I studied with assumed I would be an artist. &nbsp;It did mean I have a trained eye so, when I realized I wanted to work in television, I initially thought I&nbsp;would be a cameraman. &nbsp; I did a degree in Dramatic Arts in Johannesburg, South Africa, studying acting, dancing, theatre design and that tantalizing and elusive thing called television, while also helping out as a trainee at production company. &nbsp;I filmed second camera for Nelson Mandela\u2019s 70th concert for VH1 (British MTV) and did sound for interviews of Crosby, Stills and Nash, as well as Skunk Anansie. &nbsp;While kneeling down to film baby cheetah in an enclosure at the De Wildt Ann van Dyke Cheetah Centre I got pounced on by three of them and got some memorable scratches. &nbsp;I learnt to never turn your back or kneel down around wild animals, even if they are young and innocent looking, because you immediately become snack sized.&nbsp; It was while getting all this experience that my mentor suggested that maybe editing would be a good career fit for me.&nbsp; I have to say you really only learn how to do good coverage after you have had to edit your own footage.<\/p>\n\n\n\n<p><strong><em>What\u2019s your ultimate career aspiration?&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p>I aspire to work on feature length documentaries. &nbsp;I enjoy working on working on more action orientated material but prefer topics that are meaningful and emotionally touching.&nbsp; Historical topics are my favourite thing right now and I would love to work on more of those.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>What\u2019s your name and your usual job title(s)? Catherine De Paula, Editor&nbsp; How did you get started working in factual TV? I started out editing commercials. &nbsp;I was the in-house Avid editor at a production and post production company in London, England which primarily did factual and art programs. &nbsp;Our company got a new client [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":359,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":""},"categories":[4],"tags":[],"_links":{"self":[{"href":"http:\/\/www.fieldandpost.ca\/newsletter\/wp-json\/wp\/v2\/posts\/358"}],"collection":[{"href":"http:\/\/www.fieldandpost.ca\/newsletter\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.fieldandpost.ca\/newsletter\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.fieldandpost.ca\/newsletter\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/www.fieldandpost.ca\/newsletter\/wp-json\/wp\/v2\/comments?post=358"}],"version-history":[{"count":2,"href":"http:\/\/www.fieldandpost.ca\/newsletter\/wp-json\/wp\/v2\/posts\/358\/revisions"}],"predecessor-version":[{"id":381,"href":"http:\/\/www.fieldandpost.ca\/newsletter\/wp-json\/wp\/v2\/posts\/358\/revisions\/381"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.fieldandpost.ca\/newsletter\/wp-json\/wp\/v2\/media\/359"}],"wp:attachment":[{"href":"http:\/\/www.fieldandpost.ca\/newsletter\/wp-json\/wp\/v2\/media?parent=358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.fieldandpost.ca\/newsletter\/wp-json\/wp\/v2\/categories?post=358"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.fieldandpost.ca\/newsletter\/wp-json\/wp\/v2\/tags?post=358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}